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Weekend Babies!

by Art Fag City on January 24, 2009

Keith Haring, Radiating Baby, Via: Bill Schwarz Alright folks, this is the last of the baby art!   Thanks to everyone who contributed such fine suggestions.  The baby art archive is just a step away, I’m sure. Antonio Lopez Garcia Day and Night, Via: Pando Jiang Jie, at the Toronto Sculpture Garden. Via: L. M. Phillippe […]

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3-D Printing Technology Meets Unborn Babies!

by Art Fag City on January 23, 2009

A cast of Belle in the womb at 7 months: A 3D printer uses ultrasound images to build the mould with special dust and glue, which is then set in bronze. Thanks to Ethan Ham for directing me to “the locus of several recent [AFC] posts“.   Mail Online ran the above picture with a […]

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Posting Notice: The Babies Are Coming

by Art Fag City on January 23, 2009

Dan Bergeron, Condos For Babies Today’s final baby post and an array of art links will arrive late in the day on account of the AFC HQ having filled with stinky water.  Once this has been taken care of, posting will resume. This above piece was made for a show called A City Renewal Project. […]

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Where Have All the Babies Gone?

by Art Fag City on January 20, 2009

Babies as subject matter enjoyed a long run of great popularity amongst painters up until the 20th century.  Since then their representation has really fallen off, as evidenced by artnet’s returned search results using the word “baby”.   Two images from that query  seemed particularly worthy of reposting, so I’m listing them below. Shi Jinsong, Baby […]

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Gentrification, Income Inequality and Donald Trump Baby Turds

by Paddy Johnson on November 24, 2017
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In this episode of Explain Me William Powhida and Paddy Johnson talk about the 450 million dollar Leonardo Da Vinci of disputed authenticity and the Boyle Heights activists who follow artist Laura Owen’s from L.A. to New York to protest her non-profit 365 Mission while she visited The Whitney. Activists believe the presence of her gallery will lead to displacement. Additionally, we discuss the exhibitions listed below.

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Didier Williams

Didier Williams

Tiger Strikes Asteroid: Didier William, “We Will Win“. Review: A Haitian Artist’s Mesmerizing Eyes

Paddy Johnson failing to hula hoop and draw at the same time.

Paddy Johnson failing to hula hoop and draw at the same time.

The Museum of Human Achievement (in Austin TX)

Nicholas Cueva at Five Miles

Nicholas Cueva at Five Miles

Five Miles: Nicholas Cueva, “The People Games Play

Tracing Trajectories at Trestle Gallery - Installation view.

Tracing Trajectories at Trestle Gallery – Installation view.

Trestle Projects: Tracing Trajectories/Selections from the Hoggard/Wagner Collection 

From “Anteroom”, by Anita Thacher, 1982, 35mm color slide projection, brass doorknob and plate, sound, 108 x 144 x 3 inches – Image courtesy of the artist and Microscope Gallery

From “Anteroom”, by Anita Thacher, 1982, 35mm color slide projection, brass doorknob and plate, sound, 108 x 144 x 3 inches – Image courtesy of the artist and Microscope Gallery

Microscope Gallery: Anita Thacher, “Anteroom”

Rachel Rossin, Installation view at Signal Gallery

Rachel Rossin, Installation view at Signal Gallery

Rachel Rossin Aquarium detail

Rachel Rossin Aquarium detail

Signal Gallery: Rachel Rossin, “Peak Performance”

Installation view at Present Company

Installation view at Present Company

Myeongsoo Kim at Present Company

Myeongsoo Kim at Present Company

Present Company: Myeongsoo Kim and Jessie Rose Vala, “Dusk to Dust” 

Future Retrieval at Denny Gallery, Installation view

Future Retrieval at Denny Gallery, Installation view

Denny Gallery: Future Retrieval, Permanent Spectacle

Derek Eller Gallery: Whiting Tennis

Whiting Tennis, The Vegetarian

Whiting Tennis, The Vegetarian, at Derek Eller

Whiting Tennis at Derek Eller, Installation view

Whiting Tennis at Derek Eller, Installation view

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The Whitney Biennial: Visual Screen Burn Courtesy of America’s Finest

by Paddy Johnson on March 16, 2017
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Out of the ten Whitney Biennials I’ve seen, this is the first one that could have used a vomit warning. But here we are, in Trump’s America, a future many of us never wanted to imagine, let alone live through. What is the purpose of art in this New America? This year’s Biennial bears no answers. Art doesn’t exist to defend its purpose and even if it did this exhibition was organized prior to the election. Nevertheless, it does bring then-simmering themes to a boil. So, while almost none of the work is Trump themed, as a whole the exhibition reads as a responsive to the challenges the country faces—increasing income inequality across the board, failing institutions, and the rise of hate-fueled violence. If art is a mirror, then this year’s Biennial should scare the shit out of you.

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