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Jenny Holzer-ified Sneakers to Benefit Whitney Museum – mediabistro.com: UnBeige

by Art Fag City on July 23, 2010

Jenny Holzer-ified Sneakers to Benefit Whitney Museum – mediabistro.com: UnBeige – Holzer says she has a renewed respect for shoe designers now that her truisms are all over them.

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Art Fag City at The L Magazine: Jenny Holzer’s PROTECT PROTECT

by Art Fag City on April 1, 2009

Jenny Holzer, For Chicago, 2008. Eleven electronic LED signs with amber diodes. 2 3/8 x 334 7/8 x 576 inches. Installation view: Museum of Contemporary Art (MCA), Chicago, 2008 I review Jenny Holzer’s survey exhibition at The Whitney this week for The L Magazine. The teaser below. “Jenny Holzer is the patron saint of Twitter”, […]

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Art Fag City at NYPress: An Interview with Jenny Holzer

by Art Fag City on March 11, 2009

Jenny Holzer, Green Purple Cross, 2008, and Blue Cross, 2008 I spoke to Jenny Holzer recently for NYPress about her upcoming show at The Whitney. The exhibition opens tomorrow and is a must-see for any art enthusiast. The teaser below. Eleven yellow electronic led signs lie horizontally at the entrance of the Whitney Museum's fourth […]

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Friday Links: On Chelsea Manning’s First Portrait As A Free Woman

by Michael Anthony Farley on May 19, 2017

Okay, so here I am everyone!! =Phttps://t.co/NuyZlcWfd9 #HelloWorld pic.twitter.com/gKsMFTYukO

— Chelsea Manning (@xychelsea) May 18, 2017

Samantha Allen considers the first image of a free Chelsea Manning, and how the prison where she was kept policed her gender expression. [The Daily Beast]
Both Adam Szymczyk, curator of the upcoming documenta 14, and Christine Macel, curator of this year’s cheeseball Venice Biennale, included their lovers in their respective shows. Scandal or common practice? [artnet News]
There are few topics more depressing than the death of a whale. Yet that’s the topic of Lukas Hofmann’s show Enzyme, which opens tonight at Paris’ Galerie Frangulyan. If you’re in town, go cry, I guess. [AQNB]
Chiba-based businessman Yusaku Maezawa just dropped a record-breaking $110.5 million on a 1982 Basquiat painting at Sotheby’s. It’s the most ever paid at an auction for work by an American artist. The good news in this story? It’s going to live at the art museum in the buyer’s hometown. [ARTnews]
Valse Kunst Museum in Vledder, The Netherlands is a museum dedicated to forgeries. The museum was started by jilted Dutch collectors, who of course made lemons out of lemonade, and now houses plenty of convincing knockoffs of masterpieces. This is awesome. [The Boston Globe]
83-year-old activist and artist Raphael Montañez Ortiz will receive a medal for his contributions to Chicano culture at a ceremony in UCLA. Ortiz is known for “destructivist” art, in which he literally destroys household items as sculpture. I’m kinda hoping he chops the medal in half with an axe on stage as soon as he gets it! [UCLA Newsroom]
Here’s a very useful guide to applying to New York’s Affordable Housing Lottery. Though with odds like these, you might as well apply for the actual lottery and just become a millionaire like anyone paying current market-rate rents in Manhattan. [Curbed]
Cara Ober is basically the only writer I know who seems to have actually enjoyed Venice this year. Apparently the secret is pregaming with a spritz! Note to self… [BmoreArt]
Andrew Berman Architects have added a beautiful extension to the The New York Public Library’s Stapleton branch. My first thought: I could read here all day. My second thought: the acoustics of all these hard surfaces combined with the volume of Staten Island conversations will probably make this reading room unusable to all but the deaf. [Dezeen]
Mass MoCA’s gigantic $65m expansion enables the museum to house long-term, large scale installations. The first batch includes a 15-year commission from Jenny Holzer, a 25-year James Turrell show, a 15-year Laurie Anderson radio station, and a 15-year exhibition of a massive Louise Bourgeois sculpture, among others. For a destination museum, this seems like a smart move. [The Art Newspaper]

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We Went to Frieze, Part Two: Pussy Hat Show Flops, Anti-War Hard On Holds Up

by Paddy Johnson and Michael Anthony Farley on May 5, 2017

Yesterday we discussed the overall look and feel of Frieze and concluded that this iteration of the fair is far superior to previous years. Lots of lively inventive work and short on the kind of soulless work in a frame that can make these events so tedious. Today we take a deep dive into a lot of the art we saw. Let’s get down to the nitty gritty.

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This Week’s Must-See Art Events: Rejoice! Our Times Are Intolerable and Nasty Women Are Front-and-Center

by Michael Anthony Farley on January 9, 2017

New York’s week is characterized by two dominant themes: revisiting art history, and women owning “nastiness”. Monday, NYU’s Grey Art Gallery is launching Inventing Downtown, an ambitious look at how artist-run spaces informed the city’s radical aesthetics decades ago. Tuesday, Kate Hush illuminates archetypal feminine deception and betrayal at Cooler Gallery. She’ll be joined by legions of Nasty Women starting Thursday, when the Knockdown Center kicks-off a four-day fundraiser for Planned Parenthood featuring art, dance parties, and more. Alden Projects has a timely survey of Jenny Holzer’s early poster work that opens Friday, and White Columns is opening it’s 11th Annual, Looking Back. That’s but a sampling of the art history-mining going on this week. Stay nasty, New York, and remember that you always have been.

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Monday Links: The Force Is Not With George Lucas’s Chicago Museum

by Rhett Jones on June 27, 2016

tonyFehrLinks

Well, this can’t be good. New MOCA CEO Chantal Pontbriand has left MOCA after only eight months on the job. This is nothing short of shocking news for the organization, which in the course of a year has transformed its name, mission, and location. In March, she even announced that the organization would be expanding its footprint from three to five floors in its new location as well as a building across the street. It’s unclear whether those plans will stay in tact now that she’s departed. [The Toronto Star]
For the first time, Jesus tomb is getting refurbished and will be opened for an archeological dig. [Daily Beast]
George Lucas plans for a major museum in Chicago have been foiled by a two-year legal battle and he is reportedly looking for an appropriate location in California. People involved in the tentative planning say that San Francisco will probably be the first choice. [The Art Newspaper]
For those people who didn’t already hate golf, there is now a custom hoverboard that carries players around the course. It’s called the GolfBoard. [GolfBoard]
The strategy game Civilization 5 will be used in classrooms to teach kids about diplomacy and the ways in which Ghandi was a power hungry, nuke flinging sociopath. [Motherboard]
Jenny Holzer will mount her “first site-specific” work by carving her signature “poems on cliffs, monumental boulders and on bedrock” in Ibiza. [The Art Newspaper]
Legendary street photographer Bill Cunningham has died. Of the pieces we’ve read thus far, the Washington Post has been the best. Though the Times obituary staff did a fine job. [Washington Post]
Legendary writer and journalist Michael Herr has died. [Daily Beast]
Legendary Sculptor Tony Feher has died. Paddy Johnson recalls a talk he gave at Rutgers University and explains why his work is so significant. [AFC Newletter]
A round-up of some old school video albums that pre-dated Lemonade. Before Beyonce was putting Becky with the good hair on blast, Don Johnson was rocking sleeveless shirts on Max Headroom’s soundstages. [MEL]
Douglas Coupland is looking for a model that looks just like Van Gogh and will the person who looks the most like the famed artist $5k. [The Guardian]
Beloved record shops, Other Music and Rebel Rebel, both closed their doors this weekend. This is a nice opportunity to revisit Karina Longworth’s excellent investigation into what happened to Kim’s video collection. [Brooklyn Vegan]
Prince’s “Yellow Cloud” guitar has been auctioned. The lucky bidder spent $137,500. [Vulture]

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We Went to The Armory Show: HOW TO SPEND IT

by Michael Anthony Farley and Molly Rhinestones on March 4, 2016

Michael: Every time I go to a fair I’ve been told is going to suck, I’m pleasantly surprised by the first few works I see and actually like that are somewhat engaging. Then, usually within an hour of arrival, fair fatigue sets in and I want anything to shatter the stifling boredom.
Molly: I’m honestly devastated I didn’t know that the “YOUR MOM” balloons were free for me to take.

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We Went to No Man’s Land: Women Artists from The Rubell Family Collection

by Paddy Johnson and Michael Anthony Farley on December 21, 2015

At the Rubell Family Collection, dozens of contemporary women artists working in every conceivable medium left us very impressed.

Michael: Here, the blue-chip market and a private collector managed to accomplish something many institutions or independent curators haven’t—presenting an all-female show that feels as if it has nothing to prove.

Paddy: I still can’t get over how many monumental art works in this show so effectively dominated the space that you’d literally feel awestruck by their presence.

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← Previous Results

holzer

Jenny Holzer-ified Sneakers to Benefit Whitney Museum – mediabistro.com: UnBeige

Art Fag City at The L Magazine: Jenny Holzer’s PROTECT PROTECT

Art Fag City at NYPress: An Interview with Jenny Holzer

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