by Whitney Kimball on May 20, 2013
A will to change is in the air, but it’s against a backdrop of the same-old. At the New Museum, Karen Finley’s live sext paintings challenge an institutional denial of boundary-pushing work, while the Whitney has more shows of Hopper and Hockney. Klaus Biensenbach and The Jogging talk about rising waters (in their own ways), at Hyperallergic and Still House respectively. Plus, a group show of some of art’s most vocal activists addresses failure.
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by Whitney Kimball on May 17, 2013
Who was Sally Hemings? You could choose a number of titles: the mother of Thomas Jefferson’s children; his wife, Martha Jefferson’s, sister; Martha and Thomas’s slave. Her story is now nearly two centuries old, yet still demanded an answer in 1998, when a DNA test finally confirmed her link to the Jefferson bloodline.
Hemings is the subject of one of two shows at the Studio Museum right now, which both dig up old narratives, and both pull out a very fresh take on identity. The cerebral “American Cypher” by Mendi + Keith Obadike, and the romantic “Stray Light” by David Hartt are worth a trip up to Harlem, just to add their voices to the fray.
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