From the category archives:

Rise Up

It’s the End of The World As We Know It

by The AFC Staff on December 28, 2012
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This year, the art world became more dysfunctional than usual. As such, we talked about social injustice, power struggles, and uneven distribution of wealth seemingly endlessly. Who knows if it helped, but writing these ten posts made us feel just a little bit better.

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Fire Island Artist Residency Comes Into Its Own, Pt 2

by Alex Fialho on August 28, 2012
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A lot of blood, sweat, and queers went into this year’s Fire Island Artist Residency (FIAR), the only residency in the country devoted exclusively to queer artists. While FIAR’s mission runs the risk of self-marginalization, it seems to have opened up an essential—not inherently essentializing—space for this year’s residents (Jade Yumang, Kris Grey, Nicolaus Chaffin, R.E.H. Gordon, and Brendan Fernandes). As Nicolaus Chaffin told AFC, “the importance of it all has been the ability to not use facets of our work to address and explain our positions, but rather just make the work, let the work exist.”

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Fire Island Artist Residency Comes Into Its Own At Cherry Grove, Part One

by Alex Fialho on August 21, 2012
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“It would be awesome if [prominent artist residency] Skowhegan was here, and just for homos!” Fire Island Artist Residency (FIAR) co-founder Chris Bogia told AFC recently, recalling his initial reaction to Fire Island. It was with this impetus that Bogia and co-founder Evan Garza founded FIAR, the only artist residency in the country devoted exclusively to queer artists. Bogia quickly added, “But I think that Fire Island Artist Residency is becoming something wholly unto itself, which is really exciting.”

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Whitney To Use Sotheby’s Auction House in Midst of Art Handler Lockout

by Paddy Johnson on May 21, 2012
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I guess we know why Whitney Director Adam D. Weinberg was willing to say the museum had no intention “to respond one way or the other” about Sotheby’s art handler lockout. This morning we received a tip that the Whitney is planning an auction through Sotheby’s to fund the construction of their new building.

While we support the museum’s construction efforts, we find the use of Sotheby’s unacceptable and are asking artists to refuse the Whitney’s requests for donations. The museum doesn’t have to use Sotheby’s, a company bent on exploiting its workers. It’s doing so because no one’s made it clear to them that they shouldn’t.

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This Friday at 6 PM: Art Handlers Will Protest MoMA's Ties with Sotheby's

by Corinna Kirsch on March 27, 2012
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Sotheby's art handlers want MoMA to sever ties with the auction house, and they have good reason: MoMA has made millions at Sotheby's during the art handler lockout. In November, MoMA auctioned off two paintings by Rufino Tamayo, a sale which amassed over three million dollars for MoMA's acquisition fund.

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Stop Shopping At Sotheby’s

by Whitney Kimball on March 23, 2012
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Things were looking dire on Tuesday morning at Sotheby's during the Chinese fine art auction. A battered troop of about thirty art handlers—accompanied again by the inflatable fat cat crushing a union worker—marched a long semi-circle inside the partitioned protest zone, chanting “No contract, no work, no peace.”

It’s been eight months since these 43 hardworking men and women were put out of their jobs for demanding fair pay and benefits. AFC thinks that’s more than enough. Let’s fix this.

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Brian Eno’s 1995 Opening Speech for the Turner Prize

by Paddy Johnson on March 15, 2012
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Back in 1995, Brian Eno’s opening speech at Turner Prize award ceremony caused all kinds of clamor. The speech lampooned the arts community for its lack of intellectual rigor, comparing the openness and public knowledge of scientific debates with the often-impenetrable discourse around art.

Eno, in his diary, recounts that at the ceremony, “various people looked at me like I was Satan, or with obvious pity.” The next day, he notes that he was stopped in the street and congratulated. When read today, however, the words sound as fresh and exciting as ever, and demand everything I often feel the fine art world lacks. As such, I’m reproducing the text in its entirety for readers below.

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Arts & Labor Calls For an End to Whitney Biennial, Pranking Follows

by Whitney Kimball on February 27, 2012
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This morning, Artinfo reports two protests staged against the Whitney Biennial, which opens to the public on Thursday. Firstly, the OWS Arts and Labor group has sent a letter calling for the end of the Biennial in 2014, indicating that it “upholds a system that benefits collectors, trustees, and corporations at the expense of art workers.” Then a credible press release was sent out under the museum’s name and logo, announcing a break with two of its sponsors — Sotheby’s and Deutsche Bank — the morning of the press preview.

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Tonight at 6: Occupy Museums Meets Inside MoMA

by Whitney Kimball on January 13, 2012
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Occupy Museums is back! Occupy Museums, Arts and Labor, 16 Beaver, and Occupy Sotheby’s plan to orchestrate a massive gathering inside MoMA tonight at 6 PM: a significantly expanded collaboration between activist groups with a wide range of interests. Their press release, and our take.

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