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Cindy Sherman

The Best 25 Shows of 2015

by The AFC Staff on December 31, 2015
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2015 was great for art. For all the bitching that went on about art fairs, the dominance of the market, and sub-par museum shows (cough, cough Björk), I saw more great shows than I have in my ten years working as a critic in New York. Rather than try to whittle our picks down to a few select shows, we wrote up every show we thought was truly exemplary.

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We Went to No Man’s Land: Women Artists from The Rubell Family Collection

by Paddy Johnson and Michael Anthony Farley on December 21, 2015
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At the Rubell Family Collection, dozens of contemporary women artists working in every conceivable medium left us very impressed.

Michael: Here, the blue-chip market and a private collector managed to accomplish something many institutions or independent curators haven’t—presenting an all-female show that feels as if it has nothing to prove.

Paddy: I still can’t get over how many monumental art works in this show so effectively dominated the space that you’d literally feel awestruck by their presence.

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Art Basel Feels Like Last Season’s Trunk Sale

by Paddy Johnson on December 3, 2015
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My Art Basel experience will sound familiar to almost everyone following the fair. After a day at Art Basel Miami, most dealers I spoke to still had work available. That’s not to say that sales were slow— just slower than the usual mad rush we’ve become accustomed to over the last few years. According to art consultant Josh Baer, that’s not because the art was bad, but because collectors have become more thoughtful.

Yeah right. Collectors have not suddenly transformed into more curious and discerning people. They’re just not oblivious to the obvious: most of the art on view looked like B-rate work we’d seen a hundred times already. Even people who have nothing to do all day but buy things will eventually get bored of that.

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Miami Beyond the Fairs, Part II

by Michael Anthony Farley on November 27, 2015
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Art Basel Miami Beach doesn’t technically begin until next week, but myriad satellite fairs, pop-ups, and exhibitions at institutions and artist-run spaces have pretty much turned Miami “Art Week” into a season unto itself. For Miami locals and those who want to check out more than just what you can see at the fairs, this is the guide for you.

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Palpable Momentum Felt at EXPO Chicago

by Robin Dluzen on September 21, 2014
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When EXPO Chicago started in 2012, the popular opinion was that President and Director Tony Karman had five years to make this fair great. If he couldn’t, it was likely dead in the water. This weekend marked year three of the midwest fair, and exhibitors and attendees remarked on the palpable momentum. 19 Chicago galleries participated, the highest number yet, and EXPO continued to draw galleries from around the world, including repeat exhibitors like New York’s CRG Gallery who has been on board all three years, and Diana Lowenstein Gallery of Miami, who has been exhibiting at Chicago fairs every year since the 90s.

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VICE’s Photo Issue Is Out and We Have the Pictures

by Henry Kaye on July 11, 2014
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According to the masters of ironic hyperbole at VICE, the magazine’s annual photography issue is an event of biblical proportions. More specifically, it’s “a cultural barometer that has been used by historians since the age of Talbot to determine which artists are on the front lines of photography in any given year.”

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