Greene Naftali

I suspect Rachel Harrison knows how strange it is that her artworks are expensive luxury goods. As you enter her current exhibition, the first work you see is a gangly pile of styrofoam that looks like somebody spraypainted on a tree; around its base lies an ironic tangle of the low, silver barriers museums use to keep you off their valuables. The show, entitled The Help, features a half-dozen sculptures and twenty-odd drawings, each of which taps into a particular kind of ugly-pretty; they scream rebellion, but will still make for a nice contrast in the mid-century modern living rooms of their future owners. Until then, they look great at Greene Naftali.