Posts tagged as:

Hennessy Youngman

It’s Out! Another ArtReview Power 100 List

by Paddy Johnson and Corinna Kirsch on October 17, 2012
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Another ArtReview Power 100 List kicks off today, setting in motion the now annual tradition of quibbling over the top slots. This year, like every year, the list leaves room for shock, jest, and flak over who can muscle their way into the art world’s top ranks. It’s the type of list that leaves you scratching your head: What makes Kunsthalle Zürich’s Beatrix Ruf more powerful than MoMA’s Glenn Lowry? Is it possible to be young and powerful? Poor and powerful? We spoke with ArtReview Editor Mark Rappolt about this year’s list, and how its international jurors tend to reward those working on a global scale.

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An Informal Survey of Swag: The Sociology of Hip Hop In the Micro-World of Emerging Net Art

by Jennifer Chan on September 14, 2012
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Cultural studies has established that suburban white kids love hip hop in a complex manner; heaps has been written on aspiration, colorblindedness, misogynism, emulation, and subordination. But just what makes hip hop so appealing to net artists? Instead of passing off any attempt to indulge in hip hop as a 1:1 relationship between appropriation and mockery, I’m interested in looking at how different artists incorporate hip hop in their artwork to talk about themselves.

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Hennessy Youngman Talk Pretty One Day

by Paddy Johnson Whitney Kimball and Corinna Kirsch on July 12, 2012
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We’re going to dole out this week’s blogger prize for Most Offensive Post one day early, because we’re pretty sure no one’s going to top GalleristNY. Yesterday, the blog celebrated Jayson Musson’s first show at Salon 94 with a two-page profile on the artist full of racist undertones. That’s an awfully strong word, and because we don’t use it lightly, we’re going to highlight exactly what we don’t like and why.

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Interview: Dara Birnbaum on MoMA, EAI, and Wonder Woman

by Corinna Kirsch on June 26, 2012
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Video artists are a troubled breed; nobody knows how to sell or collect their work. But heck, even MoMA has a ton of video in their collection, so maybe there’s a model out there that works. I sat down with Dara Birnbaum, the rare video artist who has both a gallery (Marian Goodman Gallery) and a distributor (Electronic Arts Intermix). That double life hasn’t deterred museums and collectors from taking an interest in her work. But, as I gleaned from a lengthy interview with Birnbaum, institutions don’t have a clue about fair compensation—not when MoMA only needs to pay $1,200 for one of her videos.

What follows are parts taken from a longer interview with Birnbaum. She’s grand in her ambitions, which include a steadfast commitment to unlimited editions, sticking with EAI, and stealing images. Oh, and we talk about Hennessy Youngman.

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Hennessy Youngman Goes Direct To VHS

by Will Brand on May 10, 2012
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One line at the bottom of a press release caught my eye: “Jayson Scott Musson’s work is now available through EAI’s distribution service. For more information, please click here.” If you ever wanted the YouTube star on U-Matic or Beta, this is your chance.

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A Year-End Review: AFC’s Top Rated Posts

by Paddy Johnson on December 28, 2011
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A look back at AFC’s most popular posts reveals good news and bad news. On the one hand, our second most popular page of the year proves that, yes, intelligent reviews do have a place on the web: readers can’t get enough of our Recommended Shows. On the other, this page was trumped only in numbers by Whitney Kimball’s post Streaming Hot Sex Video Games. Clearly, porn and video games remain an enduring interest on the web.

As we embark on our year end fundraising campaign, I urge you to page through these posts below and take a look at some of the discussion here. We spend a lot of time producing posts we think are valuable, and we want to do more of that. Your donations help make that happen.

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