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MoCA

MOCA Board Delivers $75 Million in Commitments

by Corinna Kirsch on April 18, 2013
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We don’t know what finally threw the board into action—public pressure hadn’t yielded results previously, so it’s unclear why or if that became a factor—but something has transformed these members into a functional fundraising team.

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Major Changes are Afoot at the Corcoran

by Corinna Kirsch on April 4, 2013
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The Corcoran Gallery of Art and College of Art and Design is partnering with the University of Maryland and the National Gallery of Art. Details remain sparse, but the two separate arrangements are said to provide “significant cost savings” for the museum and school.

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MOCA Claims It Will Triple Its Endowment

by Corinna Kirsch on March 27, 2013
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But where will this money come from? And when? And from whom?

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MOCA Reviews Merger Proposals, Trustees Offer A New Approach

by Corinna Kirsch on March 20, 2013
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Hold your horses, LACMA. It looks like MOCA will not be accepting your merger proposal after all.

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Monday Links: New Developments

by Paddy Johnson and Whitney Kimball on March 18, 2013

  • “His career as a New York City taxi driver began with a graveyard shift, a creative itch, and a brazen interpretation of privacy laws.” The New York Times’ Matt Flegenheimer follows up our story on artist Daniel Wilson’s cabby project. Described briefly: Wilson secretly recorded the conversations of his passengers and played the audio collage he made in the cab while he drove people to The Armory last week. Flegenheimer’s account includes a minor fender bender. [NY Times]
  • Guns sound like flutes, as we heard this morning from artist Pedro Reyes’ gun orchestra. “It’s a spread that would make a cartel boss blush,” remarks Kurt Anderson on Studio360. [Studio360]
  • A profile on Mike Kelley that includes his last days before committing suicide. Tragic. [WSJ] h/t [c-monstah]
  • Christopher Knight dubs the LA-MOCA-National Gallery of Art deal a “big, fat nothing-burger.” All this deal making is a result of MoCA being cash-strapped, a mind-boggling issue for an institution whose board includes some of the richest men in the world. [L.A.Times]
  • Tina Roth Eisenberg (AKA Swiss-Miss) gave a talk last week at #SXSW on her many projects, one of which includes Teux Deux, a to-do app. Roth Eisenberg expressed some frustration today over twitter about push back from users who were accustomed to using the app for free and now have to pay for it.  We want her to know that her talk convinced us not only to use the app, but the importance of charging for projects you want to maintain. [Teux Deux]
  • In internet freedom news, the WSJ’s L. Gordon Crovitz is offending people with his piece “Aiding the Enemy Isn’t Journalism.” In it, he claims that both Bradley Manning and Julian Assange should be charged for aiding the enemy with wikileaks. What? The Freedom of the Press Foundation has run a piece correcting factual errors in Crovitz’s piece. [FoPF]
  • If you’re behind on the Wikileaks story, “Captives of the Cloud,” part 1 and 2, is a lengthy but essential primer. [e-flux]
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The A-Z MOCA Scandal Index

by Corinna Kirsch on March 14, 2013
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Don’t know how to keep up with the MOCA drama? We’re here to help.

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Morning Links: Resource Edition

by Paddy Johnson and Corinna Kirsch on March 13, 2013
  • A blog and potential resource for President and canine painter George Bush. [Dog Art Today]
  • Hilarious! The L.A. MOCA drama told in GIFs. [C-Monstah]
  • A new art(ish) blog based in Copenhagen launches with reviews of international shows and the odd interview and news item. Not a lot of critical perspective here, but a reasonable start. [Recent Future Archive]
  • MOCA is close to working out a five-year agreement with The National Gallery in DC, which will include collaborating on programming and research and exhibitions. This might help ward off the LACMA merger. [NYTimes]
  • Vine hack. Now you can make 20 second videos if you want to. [AnimalNY] Thank-you Jordan Smilovic [Brooklyn Web Developers]
  • If you’re in Europe, nobody’s going to stop you from watching porn on your computer. It’s porn IRL that’ll get you in trouble. [Mashable]
  • Guggenheim Museum Director Richard Armstrong writes a letter to Hyperallergic’s Senior Editors Kyle Chayka and Jillian Steinhauer in response to “When Artspeak Means Oppression” penned last week by contributor Mostafa Heddaya. In that piece, Heddaya calls out the Guggenheim for not paying much attention to human rights abuses in the United Arab Emirates where they’re currently building Guggenheim Abu Dhabi. [Hyperallergic]
  • The Indianapolis Museum of Art (IMA) announced last week that the museum will be laying off 21 people (11 percent of its staff). Why are they doing this? Tyler Green takes a look at their rationale and finds it inconsistent with museum management practices. Consider this your must-read article for the day. [Modern Art Notes]
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Monday Links: What People Say

by Paddy Johnson on March 11, 2013

  • Amanda Browder reported that The Armory Show (Contemporary) suffered a loss of power this weekend due to a water main break at 52nd and 11th. [Twitter]
  • Helen Popkin gets some twitter tips from the expert himself: politician Cory Booker. #SXSWi [NBC]
  • David Carr on paid content. #SXSWi [Paid Content]
  • Artist and former MOCA board member Catherine Opie gives her thoughts on the possible LACMA-MOCA merger. [ArtInfo]
  • Mat Gleason pulls apart LACMA Director Michael Goven’s statement on the possible merger with MOCA. It’s a great between-the-lines read, but the stuff that’s not so between-the-lines is perhaps most interesting. Gleason points out that Goven is clearly asserting that in this merger, MOCA will be dissolved. [Huff Po]
  • Rich people attend parties. [Bloomberg]

 

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