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The Venice Biennale, Viva Arte Viva: The Pavilions, Part One

by Paddy Johnson on May 11, 2017
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Today we spent the majority of our time looking at the Pavilions and we’ll be spending much of tomorrow similarly. Overall, there seem to be fewer people visiting the pavilions and Biennale this year—as evidenced by shortened bathroom cues and the ability to get a cup of coffee in less than hour. It’s hard, though, to discern the reasons for this. It’s not like anyone knows in advance what the shows (or weather) will be like. Still, I wondered if the poor quality of this year’s biennale might have depressed some enough that they took the day off. And perhaps the Americans here are too worried about the President’s recent firing of FBI Chief James Comey to focus on art? I know it’s an issue for me as well as many others I’ve seen over the last two days.

As for the pavilions, it’s a mixed bag—some good, some bad, and some stinky. I mean that literally. At least three pavilions this year need stench warning signs for those with allergies.

I’ll be discussing a lot of the work in greater depth in a separate post. In the meantime, here’s a sampling of what we saw this afternoon.

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The 55th Venice Biennale: Giardini Slideshow With Commentary

by Paddy Johnson and Corinna Kirsch on June 3, 2013
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Last week we spent hundreds of hours looking at art at the Venice Biennale. We saw a lot of art. It’s a sprawling affair, that invites hundreds of countries to exhibit their nation’s best artwork.

We have a lot to talk about, so without any further ado, here’s part one of our Giardini slideshow with commentary. It features pavilions by Russia, Great Britain, Switzerland, Venezuela, Greece, Poland, Serbia, Japan, South Korea, Germany, the United States, and Canada. Look for part two later today.

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Venice Prep: What To Read While Waiting In Line

by Corinna Kirsch on May 31, 2013
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We’ve braved our fair share of long lines at the Venice Biennale. Waiting’s rarely fun, but it hasn’t been entirely awful thanks to artist Jonas Staal and De Heren van Design’s “Ideological Guide to The Venice Biennale”. We’ve been reading a lot of it.

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