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Posts tagged as:

William Powhida

Weekend Reads: A Plague of Plagues

by Whitney Kimball on April 6, 2013
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Maybe it has something to do with the dismal economic forecasts, but it’s been a reflective couple of weeks for the blogosphere. Several members of the community have come back around to familiar issues that continue to thrive in the art world like the plague. For that reason, we’ll be giving their thoughts a second read this weekend.

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SEVEN: The Fair We Enjoy

by Will Brand on December 8, 2012
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There’s not much point in comparing SEVEN, the boothless, 7-gallery satellite fair in Miami’s Wynwood district, to Art Basel Miami Beach. It has no roving carts of champagne, no collectors’ lounge, and no dealers with hungry eyes sitting watch over their wares. When we visited for their party on Thursday, there was a distressing lack of Diddy. The attitude there—and we say this every year—is simply different.

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Get This Print by William Powhida! #afcwienerfest

by Art Fag City on December 4, 2012
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As our Wienerfest grows near, one lucky baller now has the chance to own this exclusive letterpress print “The 1%” by William Powhida!

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Art Copenhagen Takes Steps in a New Direction

by Corinna Kirsch and Whitney Kimball on September 18, 2012
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There’s no escaping New York. Ten minutes after arriving at Art Copenhagen on Sunday, we encountered our boss Paddy Johnson’s face in William Powhida’s “Cosmology” (2010), a zodiac chart dividing New York art world figures into destroyers, saints, and so forth, with captions describing their roles.

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New Artist Commissions Debut on CNN

by Paddy Johnson on August 28, 2012
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I’ll admit to having a biased interest in CNN’s gallery of artworks commissioned for the elections. I recommended a number of the artists for this feature, so it’s fascinating to see who made their final list and who the organization came up with themselves. Judging by the commissions, it appears Bravo’s cancelled Work of Art reality series has more influence on mainstream news media than I would have guessed.

A couple of quick thoughts on the feature:

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Bushwick Basel Participants Report: BOS a Success

by Paddy Johnson on June 5, 2012
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At 1,500 bucks, Bushwick Basel might have the smallest operating budget of any art fair we’ve been to, but it drew some of the largest crowds at this weekend’s Bushwick Open Studios. Debuting at artist and fair organizer Jules de Balincourt’s Starr Space, the fair attracted 11 galleries from around the neighborhood. It was, by many accounts, a success.

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Weekend Links: The Art World is Just One Expanding Inside

by Paddy Johnson on April 23, 2012

  • William Powhida discusses ways to get artists paid after he visits a W.A.G.E. meeting. A golden nugget, “some private foundations make artists fees a priority in their grant funding applications, so the audience for W.A.G.E isn't just arts institutions but their funders as well.” [Hyperallergic]
  • Stats and graphs; the addendum to Powhida’s W.A.G.E. article. Some of these tables are really hard to read. Reader beware. [Hyperallergic]
  • New York Magazine dropped an art bomb this week: an entire issue on how to make it in the art world. The long and the short of it: don’t be the establishment even when you are. [NYMag] Aside from a few minor problems—Trade-up has Terence Koh moving up to Sean Kelly from Mary Boone rather than Peres Projects, and the Armory Photobooth captions are fucked up after the 26th image because they accidentally ran the same photo twice—the feature is very thorough. It’s even useful to insiders. [NYMag]
  • Highlights from the NYMag issue include Gavin Brown on art: ”Somehow you're in the orbit of something you believe will continue to have a positive effect on our ability to survive.” There’s also some nice bits on how the dealer distinguishes himself from Larry Gagosian. [NYMag]
  • Also, this: “A lot of people respect me,” [Alex Katz] says. “But people used to really hate my work. As late as 1975, I had a show in Paris and people were screaming in the gallery. They were saying this is terrible art and I should go back to art school.” He shrugs. “It separated me from other artists.” [NYMag]
  • Finally, spoken like a true insider, John Kelsey of Reena Spaulings has this to say of the New York art world: “There is no outside anymore. It's one big expanding inside.” [NYMag]
  • Not exactly a surprise: Thomas Kinkade was drinking all night when he died. [MSNBC]
  • Also, Kinkade’s girlfriend Amy Pinto-Walsh has been issued a restraining order to protect trade secrets. [Gawker]
  • This NYTimes investigative report on Wal-Mart is juicy, though I’m not sure we can claim it’s art-related unless it affects Crystal Bridges. Apparently the company has been bribing the Mexican government for years, in an effort to grease their expansion plans. [NYTimes]
  • Art critic Jerry Saltz, columnist Tyler Green, curator Lisa Frieman, editor Susan Szenasy and festival director Cathy Edwards will judge ArtPrize this year. [mlive + Tyler Green's Twitter]
  • Finally, Tribeca will be hosting an open studio tour this coming weekend dubbed TOAST. Some of the artists aren’t exactly the best, but that’s the deal with these things. We recommend visiting the studios of AFC friends Marsha Owett and Scott Kilgore at 368 Broadway (207) for some of the stronger work. [TOAST]
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Village Voice Critics Address Art and Protest

by Whitney Kimball on March 21, 2012
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Last month, Christian Viveros-Faune started an online conversation with fellow Village Voice critics Martha Schwendener and R.C. Baker with a simple question: “If an artist had something important to say about the world, would anyone really listen?”

Two Fridays ago at Spring/Break, William Powhida hosted an open forum with Viveros-Faune, Martha Schwendener, and R.C. Baker to continue the conversation, particularly in light of Occupy Wall Street. Here's a bit of that exchange.

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